David Crosby has pissed off all his old musical friends—perhaps beyond repair. Along the way, Croz opens up, in riveting detail, about a struggle with drug addiction that led to nine months in a Texas state prison; he reflects on the trail of woman he left behind before meeting his current wife of 32 years; and he weighs the cost of the continued fallout from his often opinionated comments online and in the media. The project started innocently enough when Crosby agreed to meet with director A. Eaton about documenting his recent later-in-life creative comeback. After seeing so many music-based documentaries that always felt like a reverberation of Behind the Music —the same tropes —I had this instinct. If I just got out of the way, Crosby would take center stage in a compelling and exceedingly honest, maybe even heartbreaking way. Crosby made it easy for Eaton and Crowe to avoid those tropes.
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10) Long Time Gone (1969)
Stories We Want You to Read
By Larry Getlen. April 13, pm Updated April 13, pm. Joni Mitchell also left a significant mark on the band. She started dating David Crosby around , and he produced her debut album. As the relationship deteriorated, Crosby took up with an old girlfriend, Christine Hinton. Just to make sure. Soon after their breakup, Mitchell hooked up with the married Graham Nash, then in the Hollies. Nash fell hard for Mitchell, but since both were touring, opportunities to connect were scarce.
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9) Déjà Vu (1970)
All three shared producer credit, but it was alpha studio rat Stills who spent hundreds of hours layering guitars, keyboards, bass and percussion beneath the tracks. With three strong singers bringing new material into the partnership, the initial goal was to flesh out inevitable gaps onstage. Like Stills, he had flexed his chops as a one-man studio band on his self-titled debut album. By the time they got to Woodstock, Crosby, Stills and Nash had been joined by Young, with drummer Taylor and Greg Reeves, a teenaged bassist with Motown credentials, completing the rhythm section.
Crosby, Stills and Nash first played together in , but it was nearly a decade before they toured as a trio. They sold millions of records without the guy, his contributions to their second record would be a scant two-and-a-half songs only one of which is truly great and, as Stephen Stills certainly learned during his time in Buffalo Springfield, he was an incredibly destabilizing force almost completely incapable of operating within the confines of a democratic group. When they returned in for a stadium tour fueled by premature nostalgia for the s , those problems returned worse than ever. A planned reunion album was scrapped and when the other guy cut an LP with Stills in and hit the road to support it as a duo.